Inside Look at Walt Disney Imagineering and Fantasyland Expansion

NASA held its first information technology summit this week. How does this apply to Walt Disney World? Speakers at the second day included Jack Blitch from Disney Imagineering, giving a lecture on how his company designs and implements it attractions, and some of its plans for the future. This video includes a look at 3-D models of “Under the Sea: Journey of the Little Mermaid” and the entire Beauty and the Beast themed realm. The remainder of the Fantasyland expansion is not mentioned, further fueling the flames for rumors of sweeping changes to the Magic Kingdom expansion plan. Regardless, it’s a fascinating look inside Walt Disney Imagineering that you should enjoy:

A Wonderful “World of Color” Coming to California

While it doesn’t really pertain to Walt Disney World, we thought you would enjoy another pair of videos from the D23 Expo recorded and edited by our own Matt Paul. The first video is “The Making of World of Color” presentation with Imagineer Steven Davison (walking us through the entire new nighttime spectacular for Disney’s California Adventure) and the accompanying video is of the World of Color press conference that directly followed. We hope you enjoy this inside look at Disney’s World of Color embedded via the WDWNTube:

Imagineering Video Hints at the Future of the Disney Parks

With the huge D23 Expo just a few days away, could this video be peppered with tidbits teasing some announcements for the future of the Disney Parks, or are some of these things a little further off?:

Some interesting notes with the times in the video they appear:

-At 0:19, there are fountains set on fire. Is this something we will see in World of Color at Disney’s California Adventure or somewhere else?

-At 0:45, there is a portrait of Master Gracey that changes as the Imagineer waves his hand over it, could this technology be coming to The Haunted Mansion?

-At 1:14, there are two men animating a Jack Sparrow character through motion capture technology. Is this for the interactive experience coming to the Disney Cruise Line?

-At 1:52, there is a space alien (we think it’s an alien) behind an Imagineer. Could this be something new for Space Mountain at the Magic Kingdom or for the next generation Star Tours attraction?

-From 2:17 to 2:21, you can see a man walking in a real environment and interacting with projected characters, a creature made of ice and Tinker Bell. For a while I have been hearing rumors of an experience where guests would be able to enter environments and interact with “real” characters via RFID technology. Could this be it?

-At 2:22, there is a really strange (but very cool) spinning simulator-type vehicle with mounted guns. What could this be?

This very interesting video has left me with a ton of questions that I hope will be answered at the D23 Expo. What do you think these things are? Be sure to let us know in the WDWNT Network Community Forums!

Imagineer and Legend Marty Sklar Is Retiring

Marty Sklar, former head of Walt Disney Imagineering, a man who worked very closely with Walt Disney, and the only Walt Disney Company employee to attend the openings of all 11 Disney theme parks worldwide, has announced that he will finally be retiring from the company. The good people over at Orlando Attractions Magazine have obtained the letter Sklar emailed to various people in the company:

I’ve always thought that the two most important dates in Disney’s parks and resorts occurred in July and October. It was on July 17, 1955 that Walt realized his “dream come true” with the dedication of Disneyland. October 1, 1971 and October 1, 1982 marked the official opening days for the Walt Disney World Magic Kingdom and for Epcot (then “Epcot Center”).

There’s an extra relevance for me: I was a working Disney cast member for all three of these openings…and for the eight that have followed. From Tokyo to Paris, Orlando to Anaheim, and finally (so far!) Hong Kong, I’ve sweated the final details of construction, installation and sho w “buy-offs” leading to the openings of all eleven Disney parks around the world. It is with considerable pride that I can say, “I’m the only Disney cast member who has participated in all eleven of those openings.”

I’m anxious to join my fellow Imagineers at the next grand opening, too. But for me, the thrill of watching those gates open and the first guests eagerly racing to the attractions that are already their favorites, will be different next time. Because I’ll be cheering you all on from the sidelines, as a retired Imagineer.

I have decided to turn in my name tag on one of those prime dates: July 17. In 2009, that date will mark Disneyland’s 54th birthday, and my 53rd year as a Disney cast member. (I returned to UCLA after Disneyland’s first summer to finish my senior year, then returned to Disneyland’s public relations department in September 1956.)

Naturally, I’ve been thinking back over those 53 years, and what memories they are, starting with that summer day in 1955. I can still see Walt reading the dedication plaque at Disneyland’s opening. Little did I dream that day, as a 21=2 0year old, that I would spend parts of ten years writing personal material for that amazing man, one of the best known and loved in the entire world.

Of course, July 17, 1955 was just the first of those beautiful blank pages we would fill. It was my luck to be “the kid” among the pros…first in public relations at Disneyland, then at WED Enterprises, Walt’s own company – the home of the original Imagineers.

It was here at Imagineering, beginning in 1961, that my real education truly began. I owe much to UCLA (today I’m even a member of the Alumni Board of Directors), but my greatest “teachers” were right here in Glendale: John Hench, Dick Irvine, Herb Ryman, Claude Coats, Marc Davis, Blaine Gibson, Fred Joerger, Harriet Burns, Bill Martin, Rollie Crump, Roger Broggie, Bill Evans, Harper Goff, Bill Cottrell, Bob Jolley, Wathel Rogers, Yale Gracey. They were – they are – the true Legends, and though I was truly “the kid” among them, they accepted me and made me part of their team.

I had the privilege (as my own career grew from Staff Writer to Vice President of Concepts and Planning, and then to President and Vice-Chai rman and Principal Creative Executive of Imagineering) of working with so many amazing talents, past and present. The Legends defined Imagineer and Imagineering, and you have carried on in the tradition they established: the standard of excellence. Walt created Imagineering, but Imagineers made it sing and dance. What Imagineers design and build has few precedents, but many followers.

Today your ability to marry new stories and characters with the wonders of new technologies is exciting to watch. I have long marveled at the capacity Imagineers have for letting new genies out of their bottles, granting wishes large and small for millions of guests around the world every year.

When I became the creative leader of Imagineering in 1974, one of the first calls I received was from the CEO of Disney, E. Cardon Walker. Walt Disney World had just celebrated its third birthday. “Now,” Card said, “what are we going to do about Walt’s idea for Epcot?”

The next 30 years or so filled so many blank pages they are almost like one of those “flip books”, where everything’s a blur. We created nine more Disney parks, including the five in international locations. Imagineering lived up to its roots and truly became the premiere design, engineering and construction organization in the world. The traditions of passion for our product, great storytelling and inspirational risk-taking – the traditions begun by Walt and those original Imagineers – not only continued, they grew and spread across the oceans.

For the last three years, as your Imagineering Ambassador. I’ve had a great time speechmaking and writing about creativity and leadership. I think I exceeded Jay’s expectations when he asked me to take on this role. We have created “Imagineering Week at the Studio”, represented all of you at special events and talked to thousands on college campuses, at IAAPA and TEA, at conventions across the country and Disney programs and events around the world. And I’ve had fun (that’s our business!) writing for many Disney outlets, especially my philosophy and history communications through Sklargazing on the WDI website.

Now it’s time to turn the page. So many of you have asked that I have finally actually begun writing that book about the people, the places and the passions I have experienced as an Imagineer.

As I said three years ago when my “ambassadorship” began, I know you will keep on dreaming big dreams, and creating the newest and best in the world. I’ll still be looking over your shoulders, cheerleading, and filling new blank pages. It’s the most important Imagineering tradition.

Marty Sklar

Marty will certainly be missed from the company, but everyone here at the WDWNT Network wishes him a happy and healthy retirement!

Outsource Animatronics???

By Sonya Smith of the OCRegister:

The Walt Disney Co. will begin out-sourcing the manufacturing of Audio Animatronics because of too much demand on staff time, according to an Imagineering memo sent to the Orange County Register and Disney Imagingeering Spokeswoman Marilyn Waters.

Audio-Animatronics figures are basically moving and talking (or singing) robotic figures that were started by Walt Disney’s company. Today, Audio-Animatronics can be seen in several Disneyland attractions, which include: “it’s a small world,” Pirates of the Caribbean, Indiana Jones Adventure, Monsters, Inc. Mike & Sulley to the Rescue! and the upcoming Toy Story Mania!.

The memo is dated June 12, 2008, and was sent to all Walt Disney Imagineering employees from Bruce Vaughn, chief creative executive, Craig Russell, chief development and delivery executive, and Kevin Eld, vice president of Disney Creative Production. The memo was sent to and received by the Orange County Register today. Imagineers is Disney’s a word for designers and engineers.

The memo states that after review manufacturing all Audio-Animatronics figures in-house is not feasible in terms of cost and staffing. Instead, Imagineering’s Manufacturing and Prototype Operations group based in North Hollywood will “build some select, highly complex” figures in-house.

Waters confirmed that the manufacturing of some Audio-Animatronics will be given to outside vendors. She said that over the past years Walt Disney Imagineering has begun to work with outside vendors on the talking and moving figures.

In one example, Waters said Disney employees worked with Chinese vendors to make some of the figures for the “It’s a Small World” attraction at the Hong Kong Disneyland.

“Our industry has generated quite a few heavily-skilled and proficient vendors who can supplement our teams with simple figures with significant oversight by our production team,” Waters said. “This will allow us to focus on creating more sophisticated and advanced figures.”

While Waters said Imagineering’s next step is to focus on the next-generation of Audio-Animatronics, an anniversary is coming for the oldest figures. June 22 is the 45th anniversary of the Enchanted Tiki Room in Disneyland’s Adventureland.

The Tiki Room includes 225 performers, including birds, flowers and tiki poles that spring to life. The attraction opened in 1963 and was the first attraction to function completely via the wonders of Audio-Animatronics technology.